Cracking India – Bapsi Sidhwa

I did this one backward: I saw the movie first. Earth, the gorgeous interpretation by Deep Mehta, left a deep impression after I saw it in college. Thus, Bapsi Sidhwa’s novel has been on my list for many years, although the tragic subject matter caused me to procrastinate.

Unsurprisingly, I’m glad I finally picked it up. Sidhwa has a distinct writing style: frank and youthful. The setting is Lahore before the portion of India, and the narrator is an inquisitive and happy-go-lucky Parsee girl named Lenny. Because of her age, the reader often finds themselves trying to push back the curtain of Lenny’s naïveté to see what’s really going on with the adult characters that surround her. Ultimately, it is not Lenny who provides the dramatic tension in the story, but her ayah, a beautiful Hindu woman who has enchanted the men of the neighborhood.

1C0CFFFF-84B4-4E47-9CC5-55453B1D4582A love triangle unfolds as political and religious tensions start to boil over, leading to betrayal and tragedy. As with The Devotion of Suspect X, unrequited love is a major theme and you come to sympathize with the character who, in the hands of a less thoughtful writer, might be the “bad guy”.
However, the historical basis for Cracking India renders it more impactful, and a book worthy of a later rereading.
(I re-watched the film after finishing the book and am happy to say that it held up well.)

Like Water for Chocolate – Laura Esquivel

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Like Water for Chocolate, the first novel by Laura Esquivel starts with onions and a birth. Chopping onions, that bring about a wave of tears. This opening is apt because the entirety of the novel weaves together food and emotions.

For me, this is actually a re-reading. My copy is a stolen one, taken from a beach house my family stayed in one spring, probably after I’d finished all the mystery novels I’d brought down with me. I’m not sure why I grabbed it. Maybe I gravitated toward the cheery cover, or perhaps the moderate size. Still, I’m glad I did. Because once I started reading, I was fully sucked in.

Like Water for Chocolate was my first intro to magical realism, now one of my favorite storytelling tools. Tita de la Graza, our passionate protagonist, finds her home in the kitchen of her family’s large Mexican ranch. Nurtured by the stove from a young age, she connects with flavors and food in a way that most people only dream of. She also wins the heart of Pedro Muzquiz, a boy from their neighborhood and is heartbroken when she is told by her mother that they can never wed, due to the family tradition of the youngest daughter having to stay home and take care of her mother as she ages.

Pedro, unable to bear the idea of being separate from Tita, marries her sister Rosura instead, turning the ranch into a hotbed of love, lust, jealousy and heartache.

Tita’s haven is her kitchen and her artistry is in cooking, so the food she makes is imbued with the emotions she feels. Heartbroken, and her cake will make you sick. Lustful, and her meal causes one of her sisters to run away with a rebel.

Like_Water_for_Chocolate_(Book_Cover)No – the story is not particularly realistic. The emotions are sweeping and devastating in their fury, the love is steadfast and unchanging…and I’m fairly certain it’s impossible to make hundreds of partygoers sick just because you were sad when you made the cake batter.

The rich emotions give the novel a timeless, mythic feeling.

Nonetheless, Esquivel uses these grand, almost operatic turns of phrase to tug at the reader’s heart. For don’t we all know that feeling?

I had been meaning to reread this book for years (tellingly, unlike so many others, this one has never been donated or lent away). The setting and culture, particularly the food, are undeniably impactful on the story, but overall it’s a story about love, longing and the confounding ties and responsibilities that come with family: universal feelings, to be sure.